Rafael Joseffy
1853 - 1915
Rafael Joseffy spent twenty-seven
years of his life in Europe and thirty-six in America. So long has been his
residence in this country and so great has been his influence upon the art of
pianoforte playing in the United States that with his passing on June 25th, the
musicians of this country felt that they had lostone of their most valued
brothers in art.
Joseffy was afflicted with what his
friends conceded to be a serious mental condition and a bad nervous breakdown
about a year or so ago. Mr. James Huneker, who knew the pianist as intimately as
any American music worker, despaired of his life. In fact it was whispered about
that Joseffy was no more. Since then he recovered so that he was able to attend
to all of his regular professional duties better than he had been able to do so
for years. He attributed his recovery to Christian Science. Shortly before his
death he was attacked with ptomaine poisoning, from the effects of which he was
unable to rally. His vast number of friends and pupils were terribly shocked, as
they had hoped that his life might be prolonged for many years of useful work.
Rafael Joseffy was born at Hunfalu,
Hungary, July 3, 1852. He studied in Budapesth with Brauer, the teacher of
Stephen Heller. In 1866 he went to Leipsic, where his teachers were Moscheles
and Wenzel. In 1868 he became a pupil of Tausig in Berlin, remaining with him
for two years. Later he spent two summers with Liszt in Weimar.
He made his debut in Berlin in 1872
and was immediately recognized as a master pianist of great brilliance. He came
to the United States in 1879 and since then has made his home in New York in the
winter and at Tarrytown on the Hudson in the summer. His style was broad and
comprehensive, yet his playing had a certain incisiveness which those who heard
him will never forget.
In his earlier years he produced
some very attractive compositions for the pianoforte. Later in life he virtually
retired from the concert platform and devoted his attention to teaching. He was
abnormally retiring in his disposition. The late Henry Wolfsohn told the present
writer that he had offered Joseffy huge sums for concert tours but that the
pianist found concert life so severe upon his nerves that he could not be
brought to accept. He preferred the smaller income of the teacher with its other
compensations to the glare of the footlights. Joseffy was sincere in his
convictions to the last extreme. He care absolutely nothing for fame or
applause. To him his art was supreme and other things mattered little. American
gave him his home and he conferred unmeasured honor upon the whole musical
history of his adopted country.
The Etude Magazine
August 1915